The official Bitwig Studio 4.1 release is planned for this year. Anyone with an active Bitwig Studio upgrade plan can download the installer from their account. The Bitwig Studio 4.1 beta is available for download today. -dragging temporarily inverts the snapping setting.Comping expression editing keeps track of its own snapping setting, defaulting off.-dragging a take lane slides the time of that all take lanes (and all comp regions referencing them).-dragging a take lane slides the time of that entire lane (and any comp regions pointing to it).Deleting a time selection within a comp similarly replaces the selection with silence.Dragging near a boundary in the composite lane allows shortening a comp region to remove audio (including breaths, etc.).Sliding a take boundary in the take lanes area also moves the transition point between comp regions.Sliding a boundary where two comping regions meet moves their fade point Pressing or moves the comp region to the take above or belowĭouble-clicking a take lane selects it in its entirety as the current compįrom the composite lane, dragging the top of any comping region up and down adjusts its gainįrom the composite lane, sliding the bottom of any comping region left and right adjusts its timing.Clicking on any take lane uses that take for the nearest comping region and selects the region.Dragging over a portion of any take lane to create a comping region.Take lanes can be reordered by dragging their headers.Each take lane is given its own color for visualizing the sources used, and each take can be renamed.When a clip containing takes is selected, the Detail Editor Panel displays the Comping expression view for editing.Since comping lives within the clip, comping clips can be saved to your library, with take lanes intact and editable.Since comping lives within the clip, comping clips can be freely dragged between the Launcher and Arranger.Clips containing take lanes show the comping icon on their top right edge.To record into the Clip Launcher: from the Play menu, enable Record as Comping Takes, and set an appropriate Take Length.For "cycle recording," just enable the Arranger loop.To record on the Arranger timeline: new audio recordings are automatically added as comping take lanes when passing non-looping audio clips.View the full Bitwig feature comparison chart here. All new features except comping are also part of Bitwig Studio 16-Track and 8-Track. You can visit the Bitwig website to read the full release.What's New in Bitwig Studio 4.0 Īudio comping is available, for traditional uses and more.īitwig Studio 4 is out now and it is a free upgrade to everyone with an active Upgrade Plan for Bitwig Studio. For frequency parameters (like filter frequency or EQ band), the window footer now shows frequency + pitch.All of these presets are tagged with scale and tuning.Original performance-minded tunings, which reshape the keyboard and coax new and unexpected outcomes from even experienced players (such as Beating Lydian, Phrygische Mütze, and Constant Portamento, which glides every note from a defined root).Artist-made tunings, either as concepts (Ives’s Stretched Major, Wendy Carlos Optimized, and Johnston that blends the overtone and undertone series) and scales used for particular works (Partch from Harry Partch’s “Two Studies on Ancient Greek Scales”, and Blues – Harmonic, used in Ben Johnston’s “Suite for Microtonal Piano”, Wendy Carlos’s “Beauty in the Beast”, etc.).Cultural tunings, including a number of traditional Chinese instruments (such as Ti-tsu 7 (flute), Yang-chin 7 (dulcimer), and Yün-lo 7 (gong-chime)), as well as the Javanese Chromatic 7, which is the source for various mode (like pelog, dangsoe, bem, barang, etc.).Historic temperaments, including scales from Pythagoras, Werckmeister, Broadwood, Euler, and more.Theory-based tunings, using the overtone (Otonal) and undertone (Utonal) series, Quarter-tone ET, and even A4 = 432 Hz.30+ tuning presets are already included, of various origins:.New Grid module: Transpose (Pitch category), for creating chords with or without signal input (with Stereo-ness options).New modulator: Pitch-12, providing a modulator source for each pitch class (C, D, etc.) when played.
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